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During his time as the National Institute of Fine Art’s Director of Architecture Enrique Yanez sponsored several publications referred to as contemporary architecture. The edition is bilingual, very simple, and contains a brief introduction by Yañez himself, alongside a brief curriculum of each of the 18 architects. This work also illustrates the same number of houses, being the residence of their designers.
This book’s key quality
is that it gives graphic data for a series of works in their original state,
many of which are now destroyed.
Louise
Noelle Mereles
This book has been edited
in four languages (French, English, German and Spanish). It seeks to offer
a vision on Mexican architecture since prehistoric times. Small explicative
texts follow the numerous images, these being the ones that speak about the
importance of national doings. Contemporary architecture occupies a preponderant
place in this visual history covering two thirds of this book’s pages. Herein
lies its importance because it shows the splendorous works of the times, some
which have been lost or transformed. It should be said that Ciudad Universitaria
is highly depicted in this work.
Louise
Noelle Mereles
Faced with a lack of
fully depicted periodical publications, a group of 28 architects decided to
publish this catalogue in ten simple issues. They are young designers who
are currently seeking their own place and language within national architecture.
This publication has ample introductory essays written by Humebrto Ricalde
and Teodoro Gonzalez de Leon that attest to the quality of their professional
exercise. Furthermore, each work has its own brief text, photographs and plants
that help illustrate these new proposals.
Louise
Noelle Mereles
In 1976, New York’s
Art Museum organized an exhibit to portray the work of Luis Barragán,
which definitely marked his international importance. Emilio Ambas was in
charge of putting the catalogue together which, over a ten-year period,
has acted as this architect’s only monograph. In effect, it is a prolifically
illustrated book with pictures by Aramndo Salas Portugal. After a brief
text about the designer and his background, the author analyzes in detail
the seven works he considers to be the most significant ones. This book
includes a catalogue of Barragán’s work, and although incomplete
and inexact, it is the first one of its kind and has been an important reference
source for future research.
Louise
Noelle Mereles
The work of Ricardo Legorreta
is internationally known. This impressive publication confirms the fact. The
book contains three small essays written by Sydney H. Brisker, Wayne Ateo
and Charles W. Moore, although Ricardo Legorreta himself wrote the main feature.
The texts are grouped under the general title of "Inspirations and Tradition
in His Work", and are subdivided into chapters titled "Mysteries",
"Light", "Color", "Murals", etc. The book is
organized by themes, not chronology, and the architect explains the key works.
Illustrated with a large number of colored photographs and some blueprints
Louise Noelle Mereles
.
On account of the XIII
International Architects Union Conference that took place in Mexico City in
1978, the organizing committee sponsored the publication of this guide. It
contains monuments from pre-Hispanic times, colonial and modern, and their
selection criteria was based on visit times and distances, and does not cover
"all works of value". However, it does depict the variety and diversity
of the national architectonic heritage, and thanks to the blueprints, the
places are easy to locate. There are mistakes made about the building adjudication,
yet in general it will greatly help people interested in the subject matter.
Louise
Noelle Mereles
This monograph gets close
to Manuel González Rul’s works. It uses image profusion, supported
by scant explicative texts and some general level appreciations under the
care of various well-known colleagues. The publication lacks an analytic text
that expresses the relevance of this architect, and its design is confusing,
as it does not clearly indicate the name of the works or the projects. It
does not contain on site depictions, but, because of a useful Résumé,
the curious reader will learn about the this architect’s varied work in one
of the few printed materials available dedicated to him.
Louise
Noelle Mereles
This work has an excessively
ambitious title and concentrates on graphically speaking about thirty buildings
constructed during the seventies. Text is almost inexistent and information
with which to help identify the different examples portrayed in six chapters
is incomplete: "Apartment Buildings", "Hotels", and "Others".
The key problem of this book is the selection criteria used. Both the architect
and buildings bear different qualities and relevance without having any common
thread joining them. The book’s only worth is that it collects and shows different
constructions, some of which have no other means of diffusion.
Louise Noelle Mereles
Time as the dimension through
which one passes; without having a clear awareness of its constitution,
man walks between the future and that which was; this reading places us
here in this intermediate, continuous particle which is in constant renewal:
in the instant.
To conceive its nature gives us the certainty that we are owners of everything
that is possible in the moment, where all the time forces meet and make
existence be a deep act of recreation.
Adrián Baltierra Magaña
To enter Space Poetics is to
enter a sensitive world - to conceive that the contents lie all in the meaning,
laden with magic and dreams. Here, living gathers the true sense of belonging
to a place; we can communion with the universe in the intimacy of that which
surrounds us, we find what walls tend to say. Yet, we can see on yonder,
space has inhabitants; furniture also has souls storing narratives to be
told. There is plenty a description of space's physical characteristics
for the person seeking it out, it is the deepness of the being, we are part
of the poetics that sheaths things, part of the poetics that make us feel
the immensity of living.
Adrián Baltierra Magaña
The exercise of imagining leads
us down the ocean of dreams and into the profoundness of the being. The
medium used: water we reflect in it therefore we participate
in its properties. We travel in serene calmness in segments only, it is
an instant before it awakens and moves with force and speed. From water's
nature we learn its value as a vital element with traits that deliver the
value of dreams, yet above all, they uncover us in the water's clarity emerging
from the ground.
Adrián Baltierra Magaña
When we approach religion, we
penetrate the faith of humanity's feelings. We then see the cosmovision
that gives these feelings a sense of surpassing one's own existence. This
is how perception, with the suffering that is implied in the religious context,
weaves in and out each one of the book's articles without taking just a
single stance on the subject. It trespasses any judgment as it tries to
understand that when faced with the diversity of positions, religion tries
to give pain some meaning. The communion point with architecture is found
in the spiritual content of its pages. Without recipes nor formulas, each
soul must value and interpret its meaning as much as it can, transforming
it into buildable and transedental material for the spirit's eyes.
Adrián Baltierra Magaña
This book orders the types of
relationships that grant sacredness to humanity's different society institutions.
Furthermore, it covers the general relations between that which is sacred
and that which is pagan until it places within its theoretical content sacredness
as life's condition. Architecture can't help but suggest respect towards
what has been built and suggests that special care must be given when making
architectural interventions and proposals.
Marco Servín Leyva
The book analyses the phenomenon
of housing in a pragmatic or 'feminine' way. Space is seen in spontaneous
architecture, built on daily rhythms and needs. The first part of the book
is an exposé of the principle problems surfacing from research itself.
Herein we see the author's conviction of the need of having to approach
'man's new housing', bearing in mind the life style of every individual.
The second part of the book is an analysis of some of the problems exposed
in the first part, being able to achieve a social, psychological and existential
approximation with space. . .
From the psychological point of view, this research describes in its pages,
house planning in terms of alternatives, offering the architect an approximation
with psychological principles so they can be applied to the architectural
project's research, design and evaluation. Psychology offers the architect
the opportunity to develop architectural projects holistically. It also
gives him/her the possibility of conceiving space that is beyond its physical
form, proportions, material and color so as to perceive it as inhabited
space.
Norma Gpe. Martinez Arzate
This book was originally
published in 1920 and bears introductory tests by Alfonso Reyes and Federico
Marsical. Its pages gathered the scant texts that this ill-fated architect
left. The two conferences he dictated for the Conference Society are specially
important (Ateneo de la Juventud), where he speaks his mind out on the need
to create Mexican Architecture that bears pioneering feelings, yet, during
the second intervention, he concludes by saying that this type of architecture
should be inspired on the Colonial Construction. This work is complemented
with other three articles, highlighting the one titled "Advantages and
Inconveniences of the Architect’s Degree".
Louise Noelle Mereles